Stuff I Learned From Music

music

Music is to culture what Doctor Watson is to Sherlock Holmes: you really can’t have one without the other.  It is a universal language that connects people everywhere around the world.  Even the grumpiest curmudgeon can’t help but move their shoulders just a little bit when they hear “Despacito.”  So it’s natural that, in my many years on this planet, I’ve learned a lot of things from music.  Here are just a few of them.

Musically, nobody really knows what to do with a drunken sailor.

There’s a reason symphony orchestras seldom feature bagpipes.

It’s no contest: the #1 favourite female vocalist of old people is “What’s-her-name.”

Disney could make a 2 hour live action movie about paint drying and people would pay to see it, download the sound track and set up a Twitter account to complain that the songs weren’t as good as the original.

Even though we sing it every year, nobody understands the words to “Auld Lang Syne.”

Oddly enough, ever since the Everly Brothers sang “Wake Up, Little Susie,” the go-to name for women in pop songs (and one country music mega-hit) is Sue.

Oddly enough, ever since the Beatles sang “I Saw Her Standing There” the optimum age for women in pop songs is 17.  Is that even legal?

And speaking of legal, “Happy Birthday to You” is still under copyright, so every time you sing it, you’re technically breaking the law.

Wolfgang Amadeus Mozart did not write “Twinkle, Twinkle, Little Star.”  That’s just a “fact” pompous asses mention in conversation so you’ll think they’re smart.

It’s never a good idea to teach children those monotonous, multi-verse songs like “The Wheels on the Bus” or “Baby Shark” — especially right before an extended road trip.

Everybody’s favourite song has one good verse and a very loud chorus. After that, it’s mostly mumbling ‘til the chorus comes around again.

When you’re driving and you’re either lost or looking for an address, you automatically turn the music down because … I don’t know … ears?

And speaking of ears, the Germans have a word for that song that gets stuck in your head – ohrwurm – ear worm.

Whether they’re waltzing with Mathilda or tying their kangaroo down, Australian folk songs have some totally strange lyrics.

If you’re the subject of a country music song, unfortunately, you’re pretty much screwed.

For pure sex, nothing beats 70s-going-on-80s pop music.

Keith Richards is proof that there is life beyond the grave.

Taylor Swift has written so many songs about bad relationships that – uh – maybe she’s the problem.

Nobody is ever going to love you as much as Kanye West loves … Kanye West.

And finally:

Old people spent most of this year bragging about how uber-wild and crazy they were back in the Woodstock era, circa 1969.  However, they’ve conveniently forgotten that Billboard’s Single of the Year, that year, was “Sugar, Sugar” by The Archies.  (Not so counterculture cool now, are ya, grandpa?)

https://youtu.be/h9nE2spOw_o

First Lines Are Important

first lines

Writing is a complicated business, beset on all sides by pending disaster.  Those who choose to tell stories to strangers must begin at the beginning — and that’s where the trouble starts.  Tons of good tales die on the first line because they never get one.  Writing the first line of any story is hard.  Authors have a tiny window to convince potential readers that the approaching landscape is worth their time and trouble.  Unfortunately, most authors get it wrong.  For example, one of the most famous first lines in literature, “Call me Ishmael” is actually a total disaster.  It does nothing to pull the reader into the story.  In fact, it’s a little misleading.  The only important thing Ishmael does in Moby Dick is – uh – survive.  Melville would have done a better job with, “Call him Ahab!”  But seriously, a first line should leave the reader with a nagging feeling of what-the-hell-is-going-on-here? — and a strong temptation to find out.  Here are a few first lines that do exactly that.

It was a bright cold day in April, and the clocks were striking thirteen.

George Orwell – 1984

My mother died today.  Or maybe it was yesterday; I can’t be sure.

Albert Camus – The Stranger

There was a hand in the darkness, and it held a knife.

Neil Gaiman – The Graveyard Book

Lolita, light of my life, fire of my loins.  My sin, my soul.

Vladimir Nabokov – Lolita

The Man in Black fled across the desert, and the Gunslinger followed.

Stephen King – The Gunslinger

All children, except one, grow up.

J.M. Barrie – Peter Pan

It was a pleasure to burn.

Ray Bradbury – Fahrenheit 451

Marley was dead, to begin with.

Charles Dickens – A Christmas Carol

All this happened, more or less.

Kurt Vonnegut – Slaughterhouse-Five

This is my favorite book in all the world, though I have never read it.

William Goldman – The Princess Bride

The scent and smoke and sweat of a casino are nauseating at three in the morning.

Ian Fleming – Casino Royale

In a hole in the ground there lived a hobbit.

J.R.R. Tolkien – The Hobbit

It was the day my grandmother exploded.

Iain Banks – The Crow Road

“Where’s Papa going with the ax?” said Fern to her mother as they were setting the table for breakfast.

E.B. White – Charlotte’s Web

Elmer Gantry was drunk.

Sinclair Lewis – Elmer Gantry

I write this sitting in the kitchen sink.

Dodie Smith – I Capture the Castle

I’m pretty much fucked.

Andy Weir – The Martian

We were somewhere around Barstow on the edge of the desert when the drugs began to take hold.

Hunter S. Thompson – Fear and Loathing in Las Vegas

And, of course, the best first line ever written:

Once upon a time. . .

 

*Illustration from The Far Side

Game Of Thrones: What’s Next?

game-of-thrones

It’s been two weeks since the end of Game of Thrones, and people are still bitchin’ about it.  The problem is there are just too many unanswered questions.  For example, who paid off Cersei’s debt to the Iron Bank?  What was the conversation when Grey Worm and the Unsullied show up on the Isle of Naath – unannounced?  (“Who the hell are you guys?”)  And who was that Dornish-lookin’ dude at the High Council?  So, in the interests of a little closure, here are a few (somewhat plausible) scenarios that could happen after the credits rolled for the last time.  There are tons more, but seriously, does anybody have another nine years to invest in the soap opera that’s Westeros?  (D’uh!  Of course we do!)

The Dothraki – Suddenly unemployed (it’s not as if rape and pillage are marketable skills) the Dothraki are pretty much screwed.  A lot of them hitch a ride home on whatever ship will take them.  However, the ones that remain end up bitter old men, working in the stables shoveling horse poop for rich people or giving pony rides to bratty kids at Name Day parties.

Daenerys Targaryen – After Drogon carries Daenerys’ body away, he flies to Meereen and drops it at the feet of Daario Naharis.  Always the pragmatist, Daario summons Kinvara, Melisandre’s Red Priestess boss, and commands her (on pain of death) to bring Dany back to life.  After some argument (and a knife to the throat) she does.  Overjoyed, Daario hugs Daenerys, but she pushes him away screaming, “Where are my dragons?”  Realizing that the love of his life is batshit crazy, Daario builds the world’s first lunatic asylum and puts her away.  However, he commands all the guards and attendants (on pain of death) to maintain the charade that Dany is still Queen of the World and any day now, Jon Snow will show up and put her on the Iron Throne.  Eventually, Daenerys escapes, but by this time, she’s so looney tunes she thinks she can fly and jumps off the parapets of the Great Pyramid.  Daario breathes a sad sigh of relief and continues to rule the cities of Dragon’s Bay, wisely and well, for many years.  He dies quietly in his sleep.

Drogon – Since dragons live for millennia, after dropping Daenerys at Daario Naharis’ feet, Drogon spends the next several centuries getting ambushed by every wannabe tough guy trying to prove himself by “slaying the dragon.”  (This includes a much-mistold encounter with St. George.)  Finally, fed up with constantly looking over his shoulder and wanting a little peace and quiet in his retirement years, he moves to “a land called Honahlee” and changes his name to Puff.

Bran Stark – Absolutely useless as king, Bran spends most of his time flying around with his raven friends — just like he did during the Battle of Winterfell.  When called upon, he generally stares off into space and offers enigmatic instructions that nobody understands.  Invariably, all his best advisors get pissed off and quit, leaving the Six Kingdoms in the hands of the two drinking buddies, Tyrion and Bronn.  Bars, brothels and bingo halls thrive, and King’s Landing becomes a Vegas-style tourist destination for the rest of the world.

Davos Seaworth – After leaving the Small Council, Davos opens a school for illiterate sailors, called Sink or Spell.  It’s an incredible success, and soon there are franchises all over Westeros.  Davos becomes rich, buys Dragonstone, totally renovates the place and turns it into a retirement community for pirates, smugglers and other seafaring folk.

Samwell Tarly – After years of frustration, Sam also quits the Small Council (he wasn’t actually a maester, anyway.)  He moves Gilly and the kids to Castle Black, where he can be close to his only friend, Jon Snow, and pursue his passion for writing.  Away from worldly distractions, he produces a number of respected volumes, including Greyscale: Kill or Cure; Gendry Baratheon: The Man Who Should Be King; and his most famous work, The Girl with the Valyrian Dagger.

And finally:

Arya Stark – In her quest to find what was west of Westeros, Arya’s ship, the You Know Nothing (homage to her brother/cousin, Jon) sailed to the edge of the world.  Apparently, the Flat Westeros Society was right.  They narrowly escape falling into the abyss and, after a few mutinies, manage to make it back to land.  After that, Arya spends many years trying to jumpstart a series of business ventures (including forming a mercenary group called The Second Daughters) each one more unsuccessful than the last.  Reduced to living in abject poverty (with a serious ale habit) Arya’s life changes dramatically when Samwell Tarly’s biography of her, The Girl with the Valyrian Dagger, becomes a surprise bestseller.  She goes on the lecture circuit and earns a decent living, making personal appearances and selling autographs.  Unfortunately, her estate would miss out on the big money when the HBO miniseries, Arya, starring Jennifer Lawrence and Alex Baldwin (as the Winter King) is cancelled in preproduction and replaced by something called Game of Thrones.