Oscar 2017 –Again

oscar-memeI guess it’s not too late to talk about Oscar some more — everybody else still is.  The ceremony was fairly cool.  The sets were gorgeous, most of the gowns were not and the ongoing faux feud between Jimmy Kimmel and Matt Damon played out very well.  Things fell a little flat when Jimmy tricked a bunch of ordinary folk into the auditorium for a “Hey! Let’s meet the peasants!” segment, but the millionaires were gracious and the peasants weren’t too unruly.  The best line, however, came when Kimmel got a little too honest and quipped that Viola Davis was such a good actress that she had just won an Emmy for her very dramatic acceptance speech.  As the man said, “The secret of success is sincerity.  Once you can fake that, you’ve got it made.”

Politics took centre stage most of the evening.  And, surprise!  Surprise!  Surprise!  Trump was the target.  Many of the millionaires wore blue ACLU ribbons in solidarity with something or other, and the audience gave several standing ovations to a variety of causes-de-jour — including Meryl Streep.  One director, however, Ava DuVernay, went the extra mile and wore “a gown by a designer from a majority Muslim country.”  She tweeted her bravery out to the world — just in case the Wal-Mart crowd weren’t aware of what a Lebanese-designed designer dress actually looked like.  Given that many celebs charge designers a healthy fee to wear their creations, this might very well have been a politics-for-profit moment.  And speaking of profit, the Swag Bag the millionaires got, just for showing up to the Oscars (actually a good-sized box — hand- delivered) was worth somewhere north of $100,000 this year.  It included — among a boatload of other stuff — a free stay in Hawaii.  Somehow, those calls for equality just got a little hollow.

But it was all in good fun.  Mel Gibson was welcomed back into the fold, Auli’i Cravalho got whacked on the head and some unknown somebody got scattered applause for mentioning the Koran.  Mahershala Ali became the first Muslim to win an Oscar, Damien Chazelle became the youngest director and Faye Dunaway and Warren Beatty became a meme for having one job — one job.  However, their performance deftly illustrates that even though actors have an exaggerated sense of self-worth and a gigantic soapbox, at the end of the day, they’re still just reading the words they’re given, and have very little idea what’s actually going on in the world.

10 Serious Academy Award Blunders

oscarsThis weekend, I’m going to watch the Academy Awards.  Why?  Nostalgia, I guess.  Frankly, over the years, Oscar’s record for picking good movies is hit-and- miss, at best.  And at worst, he’s made some horrible blunders.  For example, here are 10 incredibly good films that never even got nominated — for anything — not even the crappy awards nobody cares about, like Sound or Cinematography.

Modern Times
Charlie Chaplin was at the height of his powers.  This is his best movie.  Unfortunately, Hollywood didn’t like Charlie’s politics in those days.  However, political fashions change, and  these days, Chaplin is a genius again.

To Have and Have Not

I don’t need to say anything else.

The Lady From Shanghai
The only person snubbed by Oscar more often than Orson Welles was Alfred Hitchcock.  Think about that for a moment.

Kind Hearts and Coronets
Oscar didn’t even notice.  Fortunately, ordinary people love this movie and it’s been playing the dusty, funky little film theatre circuit ever since.

Paths of Glory
One of the greatest anti-war films — everPaths of Glory was released at the height of the Cold War, ten years before Vietnam made anti-war fashionable.  And if Hollywood is anything , it’s fashionable.

Touch of Evil
Here’s that Orson Welles fellow again, and this time he’s with Charlton Heston, Janet Leigh, Akim Tamiroff and even Zsa Zsa Gabor and Marlene Dietrich.  How groundbreaking is Touch of Evil?  Any film nerd will tell you the opening scene is one of the first and finest “continuous takes” in cinematic history. (Hitchcock tried it in Rope, with limited success.)

Mean Streets
Martin Scorsese is the Rodney Dangerfield of movie making.  For 50 years he’s been making great movies, such as Taxi Driver, Raging Bull, Good Fellas, and on and on and on.  However, he only has one Oscar to show for it: Best Director, The Departed  (2006)  Mean Streets is just one of the first times Martin made a movie and Hollywood looked the other way.

Miller’s Crossing
Hollywood didn’t get on the Coen Brothers’ bandwagon until the Bros were impossible to ignore.  As a gangster flick,  Miller’s Crossing is worthy of anything by Scorsese — uh — oops!  Since then, though, the brothers could put their names on the Burbank Telephone Directory and it would be Oscar bait.  (I’m looking at you, True Grit — 10 nominations? — I’m laughin’.)

Heat
Al Pacino AND Robert DeNiro.  And this in a year when Nicholas Cage won the Oscar for Best Actor.

In The Mood For Love
The most sadly sensuous movie of the 21st century.  If this thing doesn’t make you cry,  you’ve recently died.

 

Oscar is a Grouch (2016)

hollywoodOnly an idiot would get involved in Hollywood’s current Oscar controversy, and my mom didn’t raise any dummies.  It’s been my experience that when a bunch of millionaires are lining up to do battle, we common folk better head for the exits.  However, when entertainers try to be serious, there’s always the opportunity for some serious entertainment.

Some people say (but I’m not one of them) that this entire Oscar debacle started when Will Smith didn’t get a Best Actor nomination for Concussion.  When you’re one of the coolest people on the planet (and a billion-dollar box office asset) you normally get what you want — whenever you want it — so it’s understandable that when Oscar said to Will, “Sorry, not this year,” his response was “WTF?”  Unfortunately, when your carefully crafted image is one of the coolest people on the planet, you can’t actually say WTF out loud — ya gotta dress it up a little bit.  So the reason the Oscar grapes are sour is ’cause they’re just too damn monochromatic, and apparently nobody noticed that before (including both times Will Smith was nominated for an Oscar in the past.)  Anyway, the entire entertainment community is now in a politically correct conundrum — and it’s not pretty.  What to do?  What to do?

Lucky for us, movie stars are smart.  (After all, what would the world do without their wise and thoughtful political insights?)  The Academy of Motion Picture Arts and Sciences will find a way out of this mess — the show must go on.

However, should they need some help … some people (but I’m not one of them) have offered this solution.  Raise the stakes, up the ante, show some muscle and invite Caitlyn Jenner to Oscar night.  Who in their wildest politically correct nightmare would boycott that?  Plus, and this is where the bike helmet meets the pavement, have her present the Oscar for Best Actor.  After all, Eddie Redmayne’s going to win for The Danish Girl.  Let’s face it, folks: this is definitely not going to be Leonardo DiCaprio’s year.  Even with his politically correct crocodile tears over climate change, the guy is just like so-o-o white, he’s blue.  (This is in no way an insensitive reference to DiCaprio’s death scene in Titanic, nor to the number of times he would have died of hypothermia if The Revenant was real.)

Some people (but I’m not one of them) think it’s hilarious that the politically correct Hollywood Hydra is now eating its own tail.  It’s a good thing I’m not involved, or I’d be laughing my ass off right now.

Disclaimer!  The politically incorrect views and opinions expressed in this blog are those of “some people” and do not necessarily reflect or represent the views or opinions held by WD Fyfe.
All characters and events in this blog — even those based on real people — are entirely fictional.  Any resemblance to persons living or dead is only in their own minds.
No actors were injured in the writing of this blog.