Stuff I Learned From Literature – Again

People don’t read much anymore.  The once glorious novel has been left to gather dust while we play videogames and watch Netflix.  I’m as guilty as the next person so I’m not pointing fingers, but I still think it’s a shame.  After all, most of what I know about the world comes from reading fiction.  Here is just some of the stuff I’ve learned from literature.

Never, under any circumstances, give pigs any power.
Animal Farm

Never volunteer for anything.
The Hunger Games

If you think your lover has committed suicide, get a qualified second opinion before you proceed.
Romeo and Juliet

If you’re going to invade Russia, make sure you bring back-up.
War and Peace

Don’t be fooled by contemporary propaganda, children are savages.
Lord of the Flies

Contrary to popular belief, family isn’t always all it’s cracked up to be.
Kidnapped

If you live in Wessex, England you’re pretty much screwed.
Anything by Thomas Hardy

It’s not a good idea to party with aristocrats from Transylvania – especially after dark.
Dracula

Be nice to the French.  They tend to hold a grudge.
The Count of Monte Cristo

Don’t drink and drive.
The Great Gatsby

Whatever you do, stay away from Southwest Texas.
No Country for Old Men

Female teachers with Scottish accents are dangerous.
The Prime of Miss Jean Brodie

Sometimes, finding Nemo is not necessarily a good thing.
20,000 Leagues under the Sea

Expect the unexpected.
The Collected Works of O. Henry

On closer examination the meat packing industry is not as glamorous as one would think.
The Jungle

Never hunt whales.  It will always end badly.
Moby Dick

If you find yourself in the woods with a talking rabbit … go home, you’re stoned.
Alice in Wonderland

And finally:

Make digital copies of your books just in case we all go crazy in the next couple of years.
Fahrenheit 451

The Top 100 Tales

In 2018 the folks at the Beeb (BBC) came out with the Top 100 Stories that have influenced the world.  “Good on ya!”  I love lists: by definition, they’re always controversial.  It’s true that scholars very seldom throw punches (I’d pay money to see that!) but normally a list such as this would generate more than a few white wine arguments over which book is where and why.  Unfortunately, this particular list does not fulfill that basic requirement because, even at first glance, it’s obviously total bullshit.

Yeah, yeah, yeah! All lists are subjective; however, there are some things in this world that are just dead wrong.  Let’s take an objective look at what the Beeb is trying to pawn off on us.

The Odyssey (#1) — No problem.  (You’ll probably get a fight from the Shakespearians, but they’re always pissed off about something.)
Uncle Tom’s Cabin (#2) — We can all agree on Simon Legree.  This book may very well have caused the American Civil War, which not only changed the social structure of Western civilization but also gave us the first glimpse of the military-industrial complex.
Frankenstein (#3) — This is where things start to get a little weird.  It’s true everybody knows who Frankenstein is — although most people get him confused with the monster.  But I’m pretty sure Frankenstein is not as big an influence on young lovers (anybody who ever lived) as Romeo and Juliet which doesn’t show up ’til #13.  And from there, everything just goes sideways.  According to the list, Beloved (#11) is a bigger influence on the world than Animal Farm (#18) and Ulysses (#17) — which no living person actually understands — is ahead of To Kill A Mocking Bird (#27).  Meanwhile On The Road (the universal anthem of rebellion) is nowhere to be found!

And what about the other sins of omission? — OMG!  There’s no The Great Gatsby, no Grapes of Wrath, no Fahrenheit 451, no Brave New World, nothing by Hemingway, nothing by Hardy and nothing by Kipling who sent two generations of imperial Brits out to change the world.  Paradise Lost and Le Morte D’Arthur are conspicuous by their absence, and where the hell is Dr. Seuss?

However, it’s not what’s missing from the list that’s burning my bacon: it’s a couple of titles that the Beeb included.

JK Rowlings’ Harry Potter series (#15) — Yes, we all read these books (or saw the movies.) Yes, we all thought Harry (and eventually Hermione) were hot; and yes, Quidditch is now the national sport of Nerdovia — but #15?  That’s ahead of Aesop’s Fables (#29) and Cinderella (#52.)  I don’t think so!  If nothing else, Aesop and Cindy have about a 1,000 year head start on that little wizard.  They were bedtime stories for millions and millions of children, long before Millennials decided that they were the only generation that mattered.  And besides, everybody knows Rowlings didn’t write seven Harry Potter books; she wrote two Harry Potter books — three and a half times.

But, my biggest bitch is The Handmaid’s Tale (#16).  WTF?  This little ditty is ahead of King Lear (#33), The Canterbury Tales (#58) and A Christmas Carol (#73)?  Basically, the BBC is telling us Margaret Atwood has a bigger influence on the world than William Shakespeare, Geoffrey Chaucer and Christmas!  Not bad for a book one reviewer called “paranoid poppycock.”  You want some serious grins?  Walk down any street in the English-speaking world and ask people if they’ve read the book — the book!  Chances are good you’ll get an overwhelming NO.  Why?  Because the vast majority of people who have even heard of The Handmaid’s Tale have only seen the TV series.  For the first 30 years of its existence (before Hulu pick up the option) The Handmaid’s Tale was about as influential as Pinocchio — probably less.  And here’s the kicker: the TV series isn’t even written by Margaret Atwood!  It’s written by Bruce Miller, whose last outing was The 100; Leila Gerstein, who wrote for Gossip Girl and a bunch of other people who don’t even have Wikipedia entries.  So much for spreading Margaret Atwood’s influence on the world around like marmalade on cold toast!

The bottom line is this list does serve one purpose, and one purpose only: it clearly confirms we’re living in the shallow end of intellectual history, dominated by cultural illiteracy.  Harry Potter, my ass!

Writer’s Block — A Cure

writing a blog

I realize that talking to a bunch of bloggers about writing is like trying to teach a dolphin how to swim.  (It isn’t really necessary and annoys the hell out of the dolphin.)  However, here I am because I know that anyone who’s ever touched pen to paper has suffered from writer’s block, writer’s cramp and — that worst of all literary maladies — writer’s fatigue.  I’m sure even the great Billy Shakespeare sat around, on more than one occasion, twiddling his quill and thinking, “I’m going to quit this bullshit and sign on with Drake.”  (Sir Francis, not the other guy.)  So, in the interest of keeping literature alive in these troubled times, here are a few tips to get the ink flowing again, when, for some reason, it gets stuck in the pen.  (I know, I know!  Nobody writes with a pen anymore – but I like the metaphor.)

Walk Away – It took Margaret Mitchell 10 years to write Gone with the Wind.  Turning your computer off for a couple of hours isn’t going to kill anyone.

Make a Cup of Tea – The Brits, who are the most literary people in the world, use tea as a cure-all for everything from a broken leg to a totally botched Brexit.  And they’ve been doing it since John Milton versed out Paradise Lost in the 17th century.  (That’s a lot of words under Tower Bridge, my friend!)  What tea does is slow you down.  It separates you from the real world.  It gives you a wall or a window to stare at.  It’s warm, it’s cozy and it forces you to think.  Which leads us to Item #3

It’s About You – Instead of trying to forge a Brave New World out of thin air, you need to get back to basics.  Start with you, because even though you might be the most kale salad, whole wheat, Friday night Netflix, middle-class-dull person in the history of ordinary … life has happened to you.  You have memories.  A red house.  A stupid Tweet.  A grocery clerk.  Morgan Freeman’s smile.  Grab one (it doesn’t matter which one) and write it down.

Ask The Questions – Every story from Chaucer’s Canterbury Tales to Niall Ferguson’s The Square and the Tower is merely who, what, where, when and why.  It’s not brain science or rocket surgery – that’s all there is.  Answer those questions and you have a story but …

Don’t Paint A Picture – Insisting on the exact right word ad infinitum eats up creative energy, so keep it simple.  Lose the adverbs; lose the adjectives.  This isn’t War and Peace, for God sake!  Call it a sleigh not a seasonal horse-drawn transportation device.  Less is more.  Tell the tale.

Some Things Don’t Matter – I don’t know how long it took Herman Melville to come up with “Call me Ismael” but he could have written “Call me Brenda.” and Moby Dick would still be unreadable.  So, don’t waste time sweating the details.  Your job is to get words on paper.

And finally:

Remember – If you have the audacity to string words together, you have a responsibility to your audience.  Because, as Galadriel said to Frodo in The Lord of the Rings, “This task was appointed to you, and if you do not find a way, no one will.”

And that’s a sin.