7 Ways To Tell If A Movie Is Crap (plus one more)

movies

I’ve walked out of only two movies in my life: Roman Polanski’s Macbeth and You’ve Got Mail.  (I’ll just let that sink in for a minute.)  Anyway, it’s not that I’ve endured that many bad movies; it’s just that, over the years, I’ve learned how to pick ’em.   So before you make the popcorn, settle into your ass groove on the sofa and let iTunes scam you for another $4.99, here are seven ways (plus one) to tell if a movie is going to be crap.
DISCLAIMER:  These are only guidelines.  They work most of the time, but there are some exceptions.

The 4th Movie In A Franchise — By the time the studios get to #4, the stories are lame, the actors are tired, the directors are bored (if they’re even still there) and the FX is gratuitous and over the top.  These are name recognition cash grabs; stay away from them! There are two notable exceptions: Star Trek: The Journey Home and Thunderball.  (FYI, Mad Max: Fury Road doesn’t count. It had a different cast.)

Movies Made From 60s/70s/80s TV Programs — Movie producers know Baby Boomers (and their adult children) have money, and they desperately want to get their mitts on it.  So, they tap into the nostalgia of an aging population who think they’re still cool.  They trot out a familiar name, rework the original story (with all the catch phrases) and hire some actors with little or no self respect.  These movies are unadulterated trash, but the studios don’t care ’cause they’re guaranteed a couple of million profit on name recognition alone.  (FYI, Star Trek doesn’t count.  It had the same cast.)

Movies Made From Video Games — This is just a dumbass idea.  The potential audience for these movies are gamers who — wait for it! — PLAY video games.  They don’t watch video games play themselves.  D’uh!  The rest of us, non-gamers, have heard of the title, but we have no idea what’s going on, who the Lizard People are, what everybody’s fighting about and why all the nuns have machine guns.

Classic Remakes — There ought to be a law against taking wonderful old movies and ruining them with CGI.

Old Men — If a movie features an old megastar trying to be funny, chances are good he won’t be.  What you’re going to get is Viagra jokes, some boobs, at least one reference to substance abuse and a weirdo relationship that’s a cross between necro- and pedo- philia.  NEWS FLASH — Hot 20-something chicks don’t normally go for old men.  Trust me! I know what I’m talking about.

Too Many Old Men — If the average age of your ensemble cast is over 70,  this is a bad movie. I don’t care if the old buggers want to rob a bank, go on a road trip, look for their lost youth, skydive, hunt for treasure, find the girl of their dreams, take down an evil dictator, save the world, go to space ….  God, just shoot me in the head!  Doesn’t anybody in Hollywood retire anymore?

Bad Actors — Some actors make bad movies — all the time.  For example, Ashton Kutcher has never made a good movie.  (He hasn’t even come close.)  Then there’s Kevin James, Megan Fox, Tyler Perry, Jai Courtney, Jessica Alba, etc., etc., etc.  I’m sure there’s a list of these losers somewhere.  Anyway, when you see any one of this worthless crew in a movie, save your money and go do a crossword puzzle.

And finally:

Adam Sandler, Nicholas Cage and Johnny Depp — Adam Sandler movies are so bad they’re actually in a class of their own.  Cage had his moments — ten years ago. And I have no idea what the hell happened to Johnny Depp.

Sticking To The Facts!

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One of the most amazing things about facts is how mutable they can be.  I’m not talking about changing the facts.  That’s impossible.  As John Adams once said, “Facts are stubborn things; and whatever may be our wishes, our inclinations, or the dictates of our passion, they cannot alter the state of the facts and evidence.”  Nor am I talking about this stupid “truthiness” that’s garnered so many headlines since Stephen Colbert coined the word in 2005.  I don’t think many people realize that this is actually a comedic device invented for laughs and regardless of who or how many people take it seriously, it isn’t.  I’m talking about rearranging the facts to create a faux truth which is then widely accepted as not only a reasonable facsimile but an actual alternative, indistinguishable from — and equal to — truth itself.   It’s a sort of mutant truth, accepted and unquestioned, as if it were the real thing.  Here’s how it’s done.

There is a widely held belief, purported by William S. Baring-Gould, that Sherlock Holmes and Irene Adler had a love affair which produced a son who became, in later life, the great detective Nero Wolfe.  Stuff and nonsense!  Baring-Gould has taken a few isolated facts and woven them into a fiction that has gained enormous credibility.  However, even though many accept this as the truth, including many reputable writers, nothing could be further from it.  Let’s look at the facts — objectively.

It is well known that Irene Adler was the love (or as close as he could get) of Sherlock Holmes’ life.  He kept a portrait of her on his desk, and she was the only woman he ever spoke about with grudging admiration.  It is also well known that in May, 1891, Holmes and Professor Moriarty fought a life-and-death struggle on a ledge over the Reichenbach Falls, in Switzerland.  It was reported at the time that, locked in mortal combat, both adversaries slipped from the dizzying heights and plunged to their deaths.  Of course, we now know that, in fact, Holmes defeated Professor Moriarty but was unable to return to Watson because he was set upon by Moriarty’s henchmen.  However, for three years, Holmes was presumed dead; his whereabouts, unknown.

This is all factual information.  From it, we can conclude that Holmes must have been severely injured.  Otherwise, he would have simply rejoined Watson in the nearby town of Meiringen.  Therefore, we can also conclude that, because of his injuries, Holmes would have needed assistance to descend the mountain.  These are two reasonable deductions, worthy of Holmes himself.  The tricky part, however, is after recovering from his injuries, what would make Sherlock Holmes abandon his career as a detective for three years?  Nothing else had ever captured the soul of Sherlock Holmes – except, perhaps Irene Adler whom, we know, was living on the continent with her husband.  Therefore, it is more than reasonable to assume that it could only be Irene Adler, out hiking on a late spring vacation, who found Holmes and rescued him.  We can further make the case that (given their history) in his weakened state, Holmes succumbed to Ms. Adler’s considerable charms.  In short, as she nursed him back to health Irene Adler seduced him.  No other explanation is possible.

The result was a child; however, not, as some would claim, a boy, but a girl whom they named Monica (from the Greek monos which means “solitary or alone.”)  Obviously, in the early 1890s, this was a very delicate situation.  Clearly, a love affair and an illegitimate child would have folded up Irene Adler’s marriage like a cheap lawn chair.  Furthermore, Holmes was not exactly daddy material.  Therefore the child was given to a local Swiss couple named Delacroix, who changed her name to “Monique,” and raised her as their own.  Eventually, consumed by guilt, Holmes and Adler parted, never to see the child — or each other — again.

Monique Delacroix grew up totally unaware of her biological parents.  During the First World War, she met Andrew, a dashing British military officer.  They married in 1919, when he left the service and took employment as a Vickers’ armaments representative.  They had one child, born November 11th, 1920, whom they named “James,” after his paternal grandfather.  Unfortunately, Monique and her husband, in a weird stroke of irony, were both killed in a climbing accident, in the early 1930s.  Eleven year old James went to live with his father’s sister, Miss Charmian Bond.  James Bond completed his education in England and went on to a brilliant career in British government service.  Thus, when we examine the facts objectively, we find that Sherlock Holmes is not, in fact, the father of orchid detective Nero Wolfe, but, indeed, the maternal grandfather of James Bond, 007!

As we can see, it is easy to fall into the trap of alternative truth.  Even though the facts remain the same, sometimes they can be mismanaged, or perhaps unwittingly manipulated to produce, not a deliberate lie, but an untruth, all the same.  William S. Baring-Gould were not maliciously trying to deceive us; yet deceive us they did.  Therefore, it is always best, when faced with an acceptable truth, no matter how plausible, to return to the facts to make your own judgement call.

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Originally written in 2012

Top 15 Jokes Of 2017

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There’s enough going wrong in the world this week that even we optimists are getting the Windex out to clean our rose-coloured glasses.  Just when we thought things couldn’t get any worse – they did.  People are starting to read Kafka for laughs and Cormac McCarthy is beginning to look downright lighthearted.  However, rather than dwell on the obvious let’s stop for a moment, pour a beverage and relax.

Remember, August is that time of year when the local folks of Edinburgh rent their houses out for mucho dinero and bugger off to Spain; chased out of their town by the Edinburgh Fringe Festival.  For those of you who’ve never heard of the Edinburgh Fringe Festival, that’s too bad because it’s the greatest mish-mash of all-things-considered in the world.  The Edinburgh Fringe is actually several coexisting arts festivals that run amok, day and night, through the streets of Edinburgh for the entire month of August.  It was started in the late 1940s by some university students, and even though it’s become internationally huge, it still maintains its undergraduate Alphagetti-for-breakfast air.

One of the biggest parts of The Fringe is comedy; some good, some bad, some awful.  And for the last few years, it has produced a Top Ten [Fifteen] list of the funniest jokes of the Festival.  This is this year’s offering.  So, as the world continues to spin, tune out for a second and remember we’re still the funniest species on the planet.  (oddly enough, this was written in 2011)

The top 15 funniest jokes from the Fringe (2017)

  1. “I’m not a fan of the new pound coin, but then again, I hate all change” – Ken Cheng
  2. “Trump’s nothing like Hitler. There’s no way he could write a book” – Frankie Boyle
  3. “I’ve given up asking rhetorical questions. What’s the point?” – Alexei Sayle
  4. “I’m looking for the girl next door type. I’m just gonna keep moving house till I find her” – Lew Fitz
  5. “I like to imagine the guy who invented the umbrella was going to call it the ‘brella’. But he hesitated” – Andy Field
  6. “Combine Harvesters. And you’ll have a really big restaurant” – Mark Simmons
  7. “I’m rubbish with names. It’s not my fault, it’s a condition. There’s a name for it…” – Jimeoin
  8. “I have two boys, 5 and 6. We’re no good at naming things in our house” – Ed Byrne
  9. “I wasn’t particularly close to my dad before he died… which was lucky, because he trod on a land mine” – Olaf Falafel
  10. “Whenever someone says, ‘I don’t believe in coincidences.’ I say, ‘Oh my God, me neither!”‘ – Alasdair Beckett-King
  11. “A friend tricked me into going to Wimbledon by telling me it was a men’s singles event” – Angela Barnes
  12. “As a vegan, I think people who sell meat are disgusting; but apparently people who sell fruit and veg are grocer” – Adele Cliff
  13. “For me dying is a lot like going camping. I don’t want to do it” – Phil Wang
  14. “I wonder how many chameleons snuck onto the Ark” – Adam Hess
  15. “I went to a Pretenders gig. It was a tribute act” – Tim Vine